I´m used to make all my glitch particles slice by slice and arranging one by one, and searching for Reaktor plugs I found that there´s a lot of experimental work dedicated to create auto-randomizing-generative stuff for live use and this will take out all the fun in my process, so for now with Frame and Simple Grainer is enough to tweak some twisted wav melodies I recorded/sliced recently and see what happens. Also I don´t think I need something too fancy or complex. Of course, because I´m a newbie I´m excited with all this whole new world, but I want to go to my specific actual needs so I don´t get lost in an ocean of ensembles and come back to writing something. Don´t worry, I already emailed Peter Dines (congratulating him because his great resources offered) and he sugested me to try a few free-more friendly and simple granular ensembles before purchasing anything because I´m a newbie with Reaktor. And i am still working with it and changing it regulary to my needs.ĪLL single sounds have been created with reaktor as well.īasically it's a simple pattern-sample-sequencer with a few sequenced effects. This is my private reaktor-'minimal music machine', the 'mimumachine' i built about four years ago. I spent months on Max/msp, also very nice, but Reaktor offers quicker results, better stability, better performance and without any doubt, the most exciting library of instruments and effects i have ever seen.Īfter telling so much stuff, just have a look for yourself: If i had to choose to pick only one single plugin i'm allowed to work with? It's Reaktor. Reaktor feels a bit unusual first, but once you understoof how it works, you'll LOVE it. And once you understood how the first level of the 'programming'-structure works (it's easy, drag&drop the stuff, connect it, try & error) how can quickly change _any_ instrument the way you'll like, add so called 'macros' and after a couple of years you might like to get to the deepest structure which is some sort of 'DSP'-coding.
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And especially if it comes to freaky, weirdy, strange, wicked, funny grain- and granular-stuff? For sure, it's there. Like the fat, thick oberheim-sound? It's there. Need extreme self-oscilating-self-feeding dub-delays? It's there. Need some basic 707, 808 or 909 or vermona- or wurlitzer- oder Korg-Drums and -Pattern-Step-Sequencers? It's there. And some 'ensembles' need also some time to figure out how they work. But with currently more than about 3.500 (!) user-creations it will maybe take months to try 'em all.
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But once you understand how to load 'ensembles', the fun starts by exploring the user library which has a few hundred useful and wonderful gems. It might take a couple of days or weeks to get used to it.
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So, these are - just to mention a few - the first principles you'll need to know to get anything started.
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And there are two instances of Reaktor, one as an instrument, another as an FX. And to change anything, even just to load up sample-banks into the so-called 'map' to use 'em in the samplers, you'll need to be in the 'edit'-mode even you won't edit anything. Presets are called 'snapshots', at least they're stored in banks like regular plugins so. Time to understand just the concept itself: instruments are called 'ensembles'. But if you'd give the idea behind 'Loupe 2' a try, maybe check out his freebie-ensembles, there's a stripped down version afaik, think it's called 'frame' or so? Yup, waiting for this also for a long time but finally i will buy 'Loupe 2' since i am very happy and pleased with previous products of Peter: He's a valuable member of the reaktor-scene and often helps with tricks and ideas and kept the community alive when there have been times just a few members posted at the forum or uploaded own creations, so from my point of view, we should support him by buying his creations, and they're not that expensive and Peter also takes care about updates.